- #Fight club aubrey sitterson struggle session how to
- #Fight club aubrey sitterson struggle session series
(April 9, 2019)-Since childhood, they've saved the world time and time again. There will be some big shifts that will hopefully surprise our readers in great ways.MILWAUKIE, Ore. Ossio: There's a huge power void left to fill after the ending of this saga that will cause ripples all across the FightVerse. What can you tease about the FightVerse saga moving forward? You've teased that No One Left to Fight II is just the beginning for a much more epic story, and it certainly ends on an open note.
#Fight club aubrey sitterson struggle session series
RELATED: EXCLUSIVE: Sesame Street Becomes a Twisted, Hyper-Violent Nightmare in New Dark Horse Series It's a more complicated calculus than most people realize, which is why cool fight scenes are a dime a dozen, yet meaningful ones are so exceedingly rare. When you align that with the character, world, and drama building we've mentioned, you get something truly miraculous. When it comes to actually writing a specific fight scene, though, I think there's an internal logic and rhythm to how these things work best, how you build to meaningful moments. I'd also say that, crucially, if you want a really engaging comic book fight sequence, you need someone who can draw action that makes you not just drop your jaw but stop for a minute to take it all in. The big, outrageous action has to mean something, and that happens when it is the organic outgrowth of the drama and characters within the story. Aside from the fantastic job Aubrey did building their personalities and conflicts, I made an extra effort to pay attention to their expressions for each of the pieces of dialogue and beats of the book to make them feel as real as possible and ground their emotions, hoping to make that connection with the readers so that the action beats pay off ten times more. You can draw the most dynamic and visceral punch, and sure, that's great, but what REALLY makes it feel brutal is if you have that connection between the characters and the reader. Ossio: I think the trick is to make the reader connect with the characters - feel for them, relate to them. What is the secret sauce in delivering a truly engaging comic book fight sequence, both in terms of scripting and visuals? That logic was also applied to the way we colored the book. I feel the best thing about it - and what we were always going for - was to make this world feel BIG and diverse and, more than anything, unexpected, not only in the story but including its characters and setting as well. Ossio: My favorite thing about NOLTF is hardly one thing. What are some of your favorite additions to this truly psychedelically sci-fi world you've created? RELATED: DC's Milestones In History: Tananarive Due Details Her Alexandre Dumas Storyįargie has one of my favorite character designs and attitudes in the FightVerse. Fortunately, Fico is a dynamo with that stuff! This was extremely helpful because, with visuals taking center stage in NOLTF (as they should in every comic book!), the heightening of emotion and drama I mentioned earlier had to come through in the art, not just dialogue or plot elements. Compared to the previous volume, I was able to use a lot more shorthand this time around just because I had five previous issues to point to. Sitterson: The feeling is 100% mutual! Fico and I designed everything about the FightVerse from the ground up as the perfect project for both of us, the meaty center of the Venn diagram of our interests as well as our talents. I just love working with him it's a lot of fun and the most creative freedom I could ask for any project. It's a very collaborative process for us, and we lean on each other's strengths and mash-up of ideas. We both get very excited about NOLTF, so every time we have another opportunity to dive into this world, we pretty much enjoy our rambling of ideas and start to build up from there. Ossio: I'm super comfortable working with Aubrey. With you two working together for some time now, what is your creative shorthand like as you collaborated on this particular volume? RELATED: Duo: Greg Pak & Khoi Pham Break Down Reinventing a Milestone Hero Eagle-eyed readers will see the fruits of that in some of the formal approaches we utilize.
#Fight club aubrey sitterson struggle session how to
Like Fico, I learned a lot during our first arc, specifically around how to write for Fico, specifically. Aubrey Sitterson: In addition to all the big payoffs, No One Left to Fight II is also a deepening of the themes we explored the first time around - a heightening of the emotional drama, with everything reaching a fever pitch just in time for our explosive final issue, something we've been building to since Fico and my earliest discussions about the FightVerse.
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